Saturday, November 24, 2012

Last chance book signing

Me in my natural habitat.
I'll be doing my last book signing tomorrow before the apocalypse tomorrow (Sunday) at Coles bookstore, Avalon Mall in St. John's (12:30 to 2:30 p.m.)

If the world is going to end on Dec. 21 (debate amongst yourselves) you might need something to read. Pessimists will buy the short story collection, Moonlight Sketches, while optimists will likely go for the novel, Finton Moon.

The sweetly oblivious will possibly buy both.




 
Both books have gotten excellent reviews, and both have won major literary awards. So it's a can't miss proposition. I mean, if you read it and don't like it, it's not like it's the end of the world.


Oh, and if by chance the world doesn't come crashing down on Dec. 21, I'll likely do another signing sometime in 2013.

Thursday, November 15, 2012

Drawing for signed 'Finton Moon'

On Friday, November 16 (tomorrow night!) I'm drawing a name from my hemp fedora to see who will win a free, signed copy of Finton Moon. If you want your name put into the hat, just go to my FaceBook author page and click "like" on the contest announcement.

Feel free to "like" the page, if you like. That's where all the announcements about public appearances, book signings, give-aways and book-related news happens. It's also a good way to stay in touch if you'd rather not take on the commitment and responsiblity of being an actual FB friend.

So, drawing tomorrow night.

Sign up if you want in.

GC

Thursday, November 8, 2012

Words Fall, Spirits Soar

Just under three weeks ago I found myself in Woodstock, New Brunswick as guest reader and panelist for WordsFall, the semi-annual literary festival of the Writers' Federation of New Brunswick.

I should have written about it before now, but, honestly, by the time I got back I was pretty knackered and launched myself into the teaching work that had begun to pile up. Even now it sort of feels like one of the best dreams I've ever had.

It wasn't just the readings, but the readings were great. Joan Clark was the other invited author, and she was eloquent, elegant and entrancing all at once. She read the beginnings of three of her novels, prefacing each one with a brief tale about the origins of each. After she spoke, I didn't have much chance to speak with her, but she approached me and graciously said she wanted to buy one of my books, but, to her chagrin and mine, they were all sold out. I mean, I don't mind selling every book, but I would have liked to have given one to Joan Clark, to sign it "Dear Joan--you are a national literary treasure. From a fellow creative soul, Gerard." That would have been a pretty cool honour, to have signed a book for Joan Clark. I mean, she's won numerous national awards for her writing and has received the prestigious Order of Canada. The very idea that she would even want my book in her home means a lot to me. Then again, the idea that anyone would want one of my books on their bookshelf means a lot to me. But she was so kind and approachable. She doesn't have to be. She just is, and was.

When my turn came (I actually went before Joan), I read two short excerpts from Finton Moon. Funny, if you had asked me a couple of years ago how I would feel about travelling to another province as an invited guest to read in front of a roomful of interested strangers, most of whom seemed to be writers themselves, I would have said I'd be pretty nervous. But after doing this kind of thing a few times, I can say I was totally calm, except for the good kind of nerves, the type that comes from adrenaline and doesn't debilitate, but kicks the brain and body into a whole new gear that you barely know resides within you most of time.

I really needed it that day, too. The day before the event, after not sleeping the night before, I left campus around 1 p.m. and was at the airport less than a couple of hours later. Just before 8 p.m. Lee Thompson of the WFNB picked me up at the airport in Fredericton and whisked me into Woodstock under cover of night. I glanced at his speedometer once and realized that we were travelling just under the speed of light. I wouldn't have been at all surprised if, when we finally stopped in front of the Best Western hotel, if he'd told me we'd gone back to the future. We chatted the whole way with nary a pause in the conversation as if we were old friends, catching up on each other's lives. Lee is a musician, and a very good one at that, with a new CD called "Till Light". He's also a very good writer, with a book called S., A Novel In [XXX]Dreams.

Turns out I was in capable hands and riding into an experience unlike anything I've ever known. I should have known when Janie Gillies dashed from the lounge, towards the registration desk and greeted me like a longlost friend, that I was very welcome in Woodstock that weekend. It took but a few minutes to throw my knapsack (aka The Black Hole of Calcutta) onto my bed, glance into the bathroom mirror at my airplane hair and head back downstairs where a whole crowd was waiting, already talking excitedly among themselves. But I made sure to talk to each one of them, if only briefly because they were all there for the same reason I was: to be among kinfolk: writers and creative types. The reason I felt I was among friends, quite simply, is because I really was. In our own way, I guess we were all a little nervous, although perhaps I shouldn't assume that. I won't mention everyone by name, but there was one chap named Roger Moore who kept us entralled with stories of Wales and poetry from his newest collection. And I've got to say that a beer never tasted so fine as that which I drank that evening and all weekend long.

A bunch of us ended up back in my room playing songs, reading poetry, drinking beer, and telling tales until four in the morning. It was my kind of crowd. See, I don't do it very often, but I live for these kinds of things--I could happily spend the rest of my life with a people who do nothing but write, sing songs, and drink good beer. It was like spending the weekend with Hobbits at The Prancing Pony.

Okay, maybe not. But if it did, that would make Cynthia Good a wizard, for she kept us enthralled the next day with a two-hour presentation on social media. I was amazed at her stamina, as well as how much she knew. Cynthia's a total professional and a font of useful information and suggestions about how to navigate the cyberway with ease.

Getting ahead of myself there, though. The next morning... okay that SAME morning... after not sleeping more than an hour and a half, I lay awake for a couple of hours before convincing myself I would not be getting any reasonable amount of shut-eye. The clincher was a huge bang out side my window (or perhaps inside my room). See, I never did figure it out. Janie had enthusiastically informed me at the bar the previous night, within minutes of my arrival, that most murders in hotels happen in the rooms closest to the stairwell. Well, guess where my room was? And that hallway had a certain "Red Rum" sort of feel to it, if you know what I mean. It was a long, long walk down there, and I had joked to the crowd about feeling as if I would make better time on a little red tricycle (a la Danny Torrance in The Shining). Janie seemed only slightly sorry for having told me about those "statistics" that, for all I knew, she made up just to frighten the shit out of the only CFA in the group. I mean, we all had hotel rooms of our own, but I was the only one dumb enough to accept the one by the stairs. I even considered changing rooms, but drunk with excitement and only a couple of beers, I decided, "What the hell? If a murderer breaks into my room, I'll have a story to tell, and isn't that what life is all about?"

Maybe that's why I didn't sleep much. Either way, the next day (Saturday) I had to get up, shower, make my way down to the dining room--a nice little one too, with a lovely breakfast laid out, of which I had toast and coffee. My intention had been to get out and see the town, maybe dine at some little local establishment, but I took three steps outside and realize that the pouring rain would have me drenched and shivering in the same clothes I was supposed to be wearing all day. So breakfast at the hotel it was.

I sat and wrote some notes in my sleepless stupor, listening to the chatter all around me, suddenly realizing I was going to be talking to people, addressing a crowded room, and even singing later that night--all on less than two hours sleep--not even counting the sleeplessness of the night before.

Anyway, it all went well. I have images from that day that, for whatever reason, have stayed with me. Me wandering around the kitchen of the civic centre (where the event was held) looking to fill a tiny glass with water to solve my parched throat. Cynthia Good answering question-after-question from a very appreciative crowd. My mad driver, Janie, having to pull over several times on a two-mile stretch of straight road to check her map for where the civic centre was, finally asking a kindly old couple, who pointed to an innocuous-looking building at the top of a hill. "There ya go," the kindly old feller said. There it was, within twenty seconds' drive. Other lingering images I really shouldn't mention in public, but there are many, I assure you.

Joan Clark and I took part in a panel discussion, moderated by Cynthia and that, to me, was the blurriest part of the day. I answered some questions, too tired, really, to try to sound wise and that was perhaps for the best. I was relaxed. I spoke my truth. I came out okay. They were an extaordinarily appreciative crowd, most of whom I spoke with indiviually afterwards and many of whom bought books of mine to have signed.

There were also many readings and a few book launches following the invited guests, but too many for me to mention--although I was particularly fortunate to hear Corey Redekop read from his new zombie novel, Husk. It was a great performance that whet my appetite for the book.

At night, the musicians came out and, man, were they plentiful and talented. One singer or band after another left me amazed and, really, I felt privileged to be there. The highlights, of course, were Lee Thompson singing his original songs and the incredible Babette Hayward, who is bound for great things on the national scene, I'm sure. She just had us all enthralled with her voice and words, including a great rendition of a Dylan song.

That undertaking of Dylan gave me the inspiration and courage to sing one of my own. I mean, as I said that night, "If you're gonna play Woodstock, you's got to play some Dylan." So, playing on stage for the first time in over fifteen years, I belted out 'The Times They Are a-Changing,' along with "Richard Corey" and my own original song, "Just Get Away." Nobody seemed to mind too much that I missed a few chords and probably a few notes. I didn't feel like I embarrassed myself, although it's highly likely that I was simply too high on life at that moment to pay much notice to what anyone thought. The moment of grace, for me, however, came when Janie brought her immense singing talents to the stage and sang "Caledonia," a song I admit I'd never heard before but managed to strum along with. An indelible moment among many indelible moments.

Do I even need to mention that a crowd of us went back to the room after that and sang songs and chattered like monkeys in a chinaberry tree till well into the morning hours? Didn't think so. I believe I slept for three hours or so that night. Good times are sleepless times.

Next day, after a heartwarming breakfast, a few more introductions and a lot more goodbyes, my patient and generous driver made sure I caught my flight, and just like that--as if not a single moment had passed--I was back on that little plane, gazing out at the suddenly sunny New Brunswick autumn landscape, with calls of "Come back soon" still ringing in my ears.

And those calls still ring. I'm not sure how, but I will go back.

Where I come from--a province rich in creative talent--we often like to say we have the best "scene" in Atlantic Canada, perhaps even in the country. But after that weekend in Woodstock, I have to say, there's more to Atlantic Canada than our little neck of the woods. As one fellow said at breakfast, "I've been to a lot of these things, and this one was the best." Aye, and that's how I felt too. But it's not about comparisons and superlatives. Suffice to say that New Brunswick has riches of its own, and I can't wait to tell the people in my world all about it.

The day after my return, I wandered up the corridor towards my class on campus, and a colleague, appraising my sluggish demeanour with an apt grin, asked, "So how was New Brunswick?"

I looked at her and grinned. "I think I'm still there."

"That says it all," she said with a laugh.

 "Yep," I said. "That says it all."

Sunday, October 14, 2012

The Fridge is Open: That's How the Light Gets Out.

One of our very best book bloggers is back and branching out to YouTube. In espisode #1 she takes on Dave Grohl, Patrick DeWitt, Emma Donnaghue, E.L. James (!) and my very own Finton Moon. I'm a little taken aback by her appraisal, but you can decide for yourself whether or not you agree with her:



Regardless, if you love books of all genres, you might consider following The Book Fridge with poet Kerri Cull. Very entertaining and often surprising in her choices. Not your usual book blog, as there is nothing that is predictable and it's totally honest, and it feels like she's your friend just chatting with you.

Thursday, October 11, 2012

Book signing news

I'm doing a rare Friday afternoon bookstore appearance tomorrow, Friday, October 12 when I'll be signing purchased copies of Finton Moon and Moonlight Sketches from 1-3 p.m at Chapters on Kenmount Road. This is my first signing since midsummer and and so far the only one scheduled for St. John's this fall. So if you've been meaning to get a signed copy for yourself or someone else, now's the time.

My section of the bookstore.
Moonlight Sketches was my first book, a short story collection that won the 2012 Ches Crosbie Barristers/NL Book Award for Fiction. My new novel, Finton Moon is garnering rave reviews and has won the Percy Janes First Novel Award.

Drop by for a chat or to get a book for the weekend.

Gerard

(P.S. In Woodstock, New Brunswick next Saturday, October 20, I'll be one of two featured guest authors at WordsFall, the autumn literary event for the Writers' Federation of New Brunswick. Books will be available for purchase and signing. More details to come.)




Monday, October 8, 2012

Twin Peaks

Exactly six years ago this week, I defended my Ph.D. thesis and, while tattooing the title "Dr." to my buttocks and simultaneously cementing my henceforth inescapable place in the hallowed, hollowed halls of academia, my personal quest for fire had only just begun. Like Frodo Baggins upon dropping the ring into the fires of Mount Doom, no sooner had I defended the dissertation (that really needed no defending at all, in my humble opinion-- entitled "The Postmodern Spirit: The Postmodernization of the Ghost Figure in Twentieth-Century North American Fictions") than the future lay bare before my red-tinged, sorrowful eyes. I still somehow had to make my way home along a treacherous path, nursing a grievous wound.

On Thanksgiving Monday, I had met my venerable thesis supervisor at a downtown coffee shop and discussed the what-might-be and the how-to-be sorts of questions, then I went home to ponder the defensible that was to occur the next day at 1 p.m. As far as inquisitions go, it wasn't bad. Everyone assured me they all wanted the best for me. There were plenty of pep talks, hugs and handshakes. Then I sat before the jury, gave my statement about how ghosts in literature have changed in 100 years of literary representation, and then, after a secret meeting, they each shook my hand and welcomed me to the club. There was a beer afterwards, with a few people, including a couple of friends, and then I was set free. Two days later, in a rush unlike many they've ever seen in the office of graduate studies, I had an ill-fitting cap and gown of the doctoral variety shoved into my arms and shunted off to the arts and culture centre where I walked across the stage, genuflected in front of John Crosbie, took my diploma and virtually ran out the door (after the ceremony, of course).

Minutes later, my wife and I were scurrying across the leaf-laden, concrete landscape of Memorial University, giddy as children, anxious to celebrate, but even more anxious to be moving on.

Still clad in my red gown and clutching my degree in my left hand, I made one proclamation as if to the soothing, warm wind: "That's one big mountain climbed. But there's a bigger one ahead." She knew what I meant: if I didn't publish a novel, after years of working towards that goal, none of the other achievements would amount to anything for me. We'd always known it. After six long years of courses and dissertation writing, not to mention constant stress while teaching nearly every semester and writing besides, suddenly all I wanted was to write fiction and publish. Nothing else mattered.

The very next day, my writing career began again in earnest. After six years of being deferred -- although I did take one semester off in 2005 to write a so-far-unpublished novel called 'Maelstrom,' about a Poe-ish sort of character who finds himself in a 20th C American grad school (no publisher has ever seen it) -- the elusive dream of becoming a published author took hold of my soul once more. I swore on the steps of the Science Building that day, October 8, 2006, that the next mountain I conquered would be to publish a book.

I could never have guessed that within six years -- the exact number of years it took to do a Ph.D. -- I would have two books (a short story collection and a novel) published, with a near novella-length story also contracted for publication next March. Even if I had, by some chance, dreamed of that reality, I definitely could not have foreseen the rest of it, including winning an award this year that has opened up any number of doors for me. More important, I felt a little bit more like I, perhaps, belonged in the pantheon of writers currently published and maybe could afford to glance with a more justified longing at those who have come before me.

Even now I perpetually feel like the underdog, constantly with the hunger to prove myself to no one else BUT myself. No matter how many more lines I fill in on my writing CV, I suspect that feeling will always persist. And perhaps, that's a necesary feeling for me, to keep the creative fires burning.


Mountain high
But just for fun this morning, on this auspicious anniversary, I took a picture at the local Chapters where I happen to be scheduled to do a book signing this coming Friday afternoon. My wife calls it "The Gerard Collins section." I call it a tangible reminder that I'm about as stubborn as they come.


The next mountain has already been laid out before me. And while some may scoff, I swear that even being nominated for the richest literary prizes in the land do not appear nearly so daunting as the twin peaks that lay before me on October 6th, 2006, the day before I won the battle that allowed me to stop being at war with myself.

Happy Thanksgiving weekend! May you all have as much to be thankful for as I do.

Gerard

Saturday, October 6, 2012

 
 
Now available!


Friday, October 5, 2012

Facebook Fan Page

For anyone who's interested, I've added a Facebook author page. 

To click "like" on the page will keep you up to date on any news or info related to my writing career, including book signings, reviews, public appearances, and, in the event of a natural disaster, awards.

I've come to realize, and acknowledge, that sometimes a person just wants the news without the responsibility of being a Facebook friend. This might particularly apply to readers, colleagues, acquaintances and both former and present students.

Of course, you're always welcome to join my Facebook friends list as well where I post a lot more often and am a lot more chatty and exuberant.

On my FB author page, expect the occasional update.

I wasn't certain, of course, how well this new venture would work out, but within twenty seconds of going live, the page already had its first dozen members. Thanks, everyone -- both Facebook friends and others, who have signed on.

So come on over, if it be your will. And feel free to share this link to anyone you wish.

Gerard

Wednesday, October 3, 2012

Pitch and Plug: It's not just the Blue Jays' bullpen quandary

 
Salty Ink

The young and saucy Salty Ink book blog (curated by the young and saucy Chad Pelley, author of the critically acclaimed novel Away From Everywhere) posted this feature a few days ago in which I manage to articulate something half insane about my first novel Finton Moon, and something totally sane about Riel Nason's novel The Town That Drowned.

Have a look by clicking here.

GC

Friday, September 28, 2012

"The best and most huggable"


BOOK ReMARKS

By: Harold N. Walters

The Clarenville Packet

Finton Moon

Gerard Collins has written a novel. I always knew he could—would?  And what a stupendous novel it is.

          Finton Moon [Killick Press] is the best, the most huggable novel I’ve read all summer—truly.

          Huggable?

          Yes, huggable.

          Surely you’ve felt the urge to wrap your arms around a book, especially after its pages are all puffed up and swollen from reading, embrace its characters and clutch its content to your bosom as if clinging to stirring moments that you know are certain to fade…

          …or something.

          No surprise, there is darkness in the human heart. Gerard Collins tickles that darkness almost making it merry. Or is that just my imperfect thinking?

          Example. Finton has been to confession and has revealed his dark ol’ sins to the priest. Back outside the confessional, Finton feels better about himself as if God has cleansed him “like taking a toilet scrubber to his soul and scouring it clean.”

          Go on. Grin.

          Remember that Frank O’Connor story—“First Confession”—in one of the school books in which Jackie climbs atop the wicket to unload his burdensome sins?

Beaucoup yucks in that yarn…

          …but none any funnier that Finton vomiting on the priest.

          In times before electricity reached Newfoundland outports, before the lights came, many houses—especially those dark and dank grandmother homesteads—had shadowy corners beyond the range of lamplight, shadowy corners in which—who knows?—black-hearted [as opposed to sweet and cuddly] demons dwelt.

          Gerard Collins knows what lurked in those corners.

          Next door to Finton’s home is the Battenhatch house, candlelit and delightfully gloomy with oodles of shadowy corners: “There was something delicious in the dark, musty air of the Battenhatch house that held him [Finton] captive.”

          Speaking of the Battenhatch house…

          …Battenhatch…idden that a name that would lure Old Charlie D. from his grave and have him scravelling for his pen?

          Bridie and Morgan Battenhatch are women who worm their way into your brain and coil up in serpentine curls. Like seductive red fruit dangling from limbs in Eden, Bridie and Morgan are—each in her own way—characters you acknowledge only in the “delicious dark.”

          As does Finton: “Miss Bridie pursued him to the darkest corners of his mind,”…to say nothing about where Morgan takes Finton as you’ll see when you read this book. “I just want to corrupt you,” she says, fruit of sinful knowledge in hand—kinda.

          Finton’s mother Elsie constantly cleans. She scrubs dishes and swings her broom more industriously than the Dutch Cleanser missus dusts her doorstep. It seems as if Elsie’s life is a continuous effort to sweep away ugly dark stuff: “Elsie was almost religious in her ritualistic gathering of dust, hair, furballs, and bits of lostness to her dustpan.”

          …bits of lostness…

          I’ve probably mentioned before that my favourite dead English novelist is Thomas Hardy. Reading Gerard Collins’ stories reminds me of less-than-sunny Tom.

          Hardy’s novel The Woodlanders features a giant tree that might be, disregarding metaphor, just a tree.

          Forgive me, Gerard. I can’t help thinking of Hardy when Finton considers that Bridie Battenhatch—Battenhatch, jim dandy!—“looked a lot better from the distance of a high tree branch.”

          I know. My imperfect slant again.

          As do John in “Treed” [Cuffer Anthology II], and Finton Moon, I do understand the succour to be found up beyond where birdies nest.

          Sometimes, however, danger hangs among the boughs of a too flimsy fir.

          Once upon a time in a different bay, a callow bay-boy watched a movie in which some lumberjacks bobbed the tops off several of those humongous trees that grow out in British Columbia.

          Next day, said impressionable bay-boy dragged a bucksaw up a fir with a mere three inch butt, intending to imitate the movie lumberjacks.

          The bay-boy set the saw and made a stroke. The tree jerked. The saw jumped and ripped its teeth across frail human flesh.

          Look, the scar is still visible in the meat of my left hand.

          Thank you for reading.


SEPTEMBER 20-12