Tuesday, March 29, 2011

Book Launch Party!

At last, dear friends, a moment several years in the making: my first book (the first of many, I assure you) becomes a reality and in the manner of all auspicious events, there's a party! Come help me celebrate! There's food, drinks, frivolity, a reading and as many shenanigans as we can pack into a couple of hours. Meet me at the piano bar. And if you can play piano, you're especially welcome. :-)

Here's the official invite just posted by my publisher on Facebook.

(http://www.facebook.com/event.php?eid=161108180612265#!/event.php?eid=161108180612265)


Time Wednesday, April 6 · 6:00pm - 8:00pm


Location Bianca's, 171 Water Street
(In the banquet room, separate from the restaurant--just enter at the front, turn right, take three steps and you're there!)

Please join Killick Press/Creative Book Publishing as we celebrate the launch of our newest author, Gerard Collins. Hear the author read from his amazing debut short story collection "Moonlight Sketches," and get your copy signed.





Praise for "Moonlight Sketches"



"Here is outport Newfoundland like you’ve never seen it – or heard it: musical, broken-toothed, full of pathos and sly humour. Collins’ characters fall from innocence and... land on their feet, with their fists up. You will admire them. You will fear them. You will find you care most about those you fear. Moonlight Sketches is a work of extraordinary imagination and empathy."


Jessica Grant - author of "Come Thou Tortoise"



"Smart kid courts trouble with his bad-news friend. Beautiful woman aches to leave town. Things are not going well for Julia in university. Gerard Collins gets to the story. His writing is clean and unselfconscious."


Kathleen Winter - author of "Annabel"



“A compelling collection with lasting images and an atmosphere you’ll feel as thick as a cloud around you. Collins excels in hooking his reader with a well-paced sense of impending tragedy, and in capturing the isolated moments that have built his convincing characters, many of whom having been wrung through the wringer of small-town mentality. Collins knows the recipe of his own work: when to add nuanced comedic relief to a dark story, and when to add a closing line that clangs like a gong.”


Chad Pelley - author of "Away from Everywhere"


I truly hope to see you there. Everyone is welcome.

Gerard

Tuesday, March 22, 2011

New Date for Moonlight Sketches

I keep forgetting that a bunch of you who read this blog aren't necessarily on my Facebook page. I announced yesterday that my short story collection, Moonlight Sketches, will now be available by April 1st. I had thought it was due today, but was recently informed otherwise. I guess just because you read it on Amazon don't make it so.

Thanks for all the interest in the book and the release date.  Details to come.

Gerard

Review

Got a great advance review of Moonlight Sketches from the Book Madam. It's a cool new website devoted to the love of books, Canadian books and authors in particular, many of whom are among the best in the world.

Check it out:

Book of the Month from Book Madam and Associates.

Gerard

Sunday, March 20, 2011

What's in a Title?

I've actually lost sleep over this issue. I mean, I know it doesn't matter in the bigger scheme of things. I know things are tough all over and, if it helps any, I've lost way more sleep over Japan, Haiti, the Middle East and Libya lately than I have over the title of my blog. In fact, I'm still haunted by the fact that I woke up just before 3 a.m. last Thursday night, unable to sleep and turned on the TV just in time to see the Tsunami as it crashed ashore. It brings to mind that old adage about how a butterfly flapping its weeks can be felt across an ocean. Needless to say, though, I'm a sensitive lad and it doesn't take much to wreck a good night's sleep or an attempt at a moment's peace. When this semester is done, I seriously have to check into a) meditation, b) Reiki (again), c) a media cleanse or purge, or d) rehab.

Anyway, a case in point would be my blog title. I don't get many nights when I have two whole hours when I can justify tinkering with details such as what color the font should be on my blog. I don't even normally think about my blog until I'm actually blogging. But I redubbed it "Blood 'n Guts" Friday night because I was in love with it. Turns out I was merely having a Friday night fling because Saturday morning, I was feeling a great sense of regret. What have I done? Who/what did I sleep with last night? "Blood 'n Guts, Gerard? Really?" It seems my long-dead teenaged self enjoyed the idea, but my grownup self woke up the next day with the feeling that I really shouldn't have done that. Blood and Guts? I'm gettin' too old for this shit. Sorry. Had to say it. Apologies to Riggs and Murtagh.

Anyway, I'm going back to grassroots--dancin' with the one that brought me. The subtitle for a year or so now has been "A Kick at the Darkness," and that, me dears, is who I am. I've been on this whole authenticity kick for a couple of months, so I've decided I need to keep it real. Maybe "Blood 'n Guts" is catchier; after all, blood and guts roll off the tongue, don't they? (Don't imagine it; just agree with me.) But I care less for catchy than I do for something that reflects something about me, the (nearly) grownup me, the one with a sense of eternal, hopeless optimism, who thinks we can affect our world with the flap of a wing, the stroke of a pen, the click of a letter on the keyboard or the utterance of a thought.

It's a tribute to one of my favorite songs ever, written by Bruce Cockburn ("Lovers in a Dangerous Time") and one of my favorite lines from a song. Kicking at the darkness is what I do, what I feel most of us do. The night creeps in, the darkness threatens to swallow us, the violence, the terrorism, the tsunamis, the robberies and cruelty, the despotism and politicizing and commercialization of nearly every living, breathing thing--doesn't it all feel as if it can choke you sometimes? And yet we kick back, desperately, savagely, enraged at the audacity of the those who think they can control us--even if they're right. Death conquers all. Darkness takes no prisoners. But we can try, can't we? Through humour (thank you, Jon Stewart!). Through writing (thank you, authors). Through art. Through music. Through photography. Through surviving, day after day. And, yes, perhaps even though blogging and Tweeting and Facebooking and singing and smiling and avoiding the crack that would break your mama's back.

Kick at the Darkness. That's the new title. As God is my witness.

Is there a God?

And would She approve this message?

I'd like to think so. On both counts.

GC

Friday, March 18, 2011

Blood and Guts! Yeah, baby!

Okay, so yeah--the blog is now called "Blood 'n Guts." As my wife remarked just now, "It's a pretty drastic change from Moonlight Sketches." The former name was "more pastoral," she said. No argument there. But I want something else, something more visceral, more energetic, full of vigor and something with nuances--a title that greets you with a bloody handshake.

Of course, I liked "Moonlight Sketches"--it said a lot about what I was trying to do here. The problem was that I took it from the title of my book that's coming out soon. That kind of doubling up felt fine more than half a year ago when it seemed like the book was still, well, half a year away. But the closer the release date came on, the queasier I felt about it. It just felt redundant.

So here's where it comes from:

My hometown is a place called Placentia, which is a town below sea level (or just at sea level--I'm not sure which). But the water separating us from the "mainland" was called The Gut. As a kid, I was fascinated by how The Gut would lop with whitecaps on the windiest days when the tide was high and threatening to swamp us. I can recall riding in the backseat of my father's car, along the main road, with the seemingly insufficient breakwater made of logs doing its best to hold The Gut at bay, to keep it from spilling onto the road and submerging half the town in seawater. On the worst days, usually in winter, the waves would lop right over the breakwater and onto the road, and the salt spray would drift like spirits across the pavement and across to the other side. I would often have nightmares, literally, about trying to cross The Gut on foot, traversing the side of the road (or the bridge that joined us to Jerseyside) and fearing I was going to drown. (Above Photo by J.M. Smith)

So, as I was trying to come up with a title, the idea of "The Gut" took hold of my brain. I thought of simply calling the blog "The Gut" or "Gut Instinct" or something like that. Then I thought of "Blood and Guts," which became "Blood 'n Guts" and, ya know, I like it.

The new title suits my Gothic sensibilties, harkening back to the comic books I read as a kid, most featuring Weird War Tales or Dracula or Jonah Hex. Of course, it also describes the "blood and guts" movies that are a rite of passage for any serious fan of horror movies, which I was. Friday the Thirteenth. Halloween. Nightmare on Elm Street. That kind of thing. The schlockier the better. My tastes have changed quite a bit, but I still can't resist the odd Rob Zombie movie or whatever the latest horror flick is in the theatre. Mostly, though, the title is a nod to my darker side.

My fiction writing doesn't go that route--not usually, anyway--but my tales do tend to peer into the dark soul of humanity. I'm an optimistic by nature, but that doesn't keep me from going there where, perhaps one might be better off not looking at all. And that's the other part that makes me think the title fits--I like to look into the "guts" of things, how they work, what they're made of, what makes them do what they do.

Then there's the "blood" part--sometimes there will be blood. Sometimes, though, the blood is more metaphorical than phsyical, though it's often both. Again, there's the nod to my heritage. My stories in Moonlight Sketches aren't about my hometown--far from it, in fact. Sure, some stories (perhaps even all of them, on some level, conscious or unconscious) are influenced by my childhood growing up in a rural area that certainly had its share of darkness, like any small town. But most also take inspiration from the other places I've lived on this island and even beyond it. And yet it seems appropriate to me that I pay homage to where I come from--"blood" being a reference to the bloodlines, to heritage, to the things that make us what we are. It's a nod to the experiences that shape us all and particularly myself because, after all, lest you go thinking these stories are completely about you or about other people who shall not be named--they are mostly about me. They concern my own search for meaning in a chaotic world. I'm not even sure there is any meaning to it, of course, but I'll never know that for sure if I don't look into the guts of it, keeping in mind where and what I've come from and why I'm here.

Quite likely, I'll never know any of it anyway. But this blog is an attempt to uncover and discover, to decipher and explain, look into, and discern the world and myself, as well as all selfs. Quite selfish, you see.

So, yeah, blood 'n guts, baby! Hope you like the change, as I'm truly looking forward to a slightly different tone around here.

GC

Oh, yeah, and the awesome artwork above is from Darren Whalen and it's PROTECTED by the artist's copyright and Creative Publishers.

Monday, March 14, 2011

Spring Cleaning

It's March madness in my corner of the world. I teach English at a university and it's the month of grading essays, meeting with students and various other teaching-related duties. The meetings are mostly pleasant, the grading less so, unfortunately. It's just that there are so many, it often feels like that classic Star Trek episode, "The Trouble With Tribbles," where they just seem to be multiplying. It can drive you a little stir crazy, especially in the throes of an Eastern Canadian winter.

In fact, it's snowing here today, again, just when it was fit to go outside and do some well-needed running (which I did on the weekend--'twas glorious). Now I'll have to wait for nature to do her thing because the city of St. John's is not one to be bothered with clearing sidewalks if there's a snowball's chance in Hell the rain and warmer temperatures might take it away...or even if there's not.

Meanwhile, I'm reading stories for an out-of-province short fiction competition, which I'm enjoying immensely. This time last year, I was reading nearly thirty novels in a span of 4-5 weeks for the NL Book Awards. That one was won by the very deserving Jessica Grant and her hilarious and poignant novel, Come, Thou Tortoise. This time around, the reading isn't nearly as heavy in terms of volume and it makes for a more leisurely adjudication process.  Plus, I'm the only judge, so that means I don't have to spend time consulting with anyone. I don't mind that part of it, but when you're as busy as I usually am during March Madness month, it's best to keep the variables to a minimum.

Anyway, it occured to me that I should spruce up the ol' blog a little bit. Company's comin', you know. Got a new book--my very first, called Moonlight Sketches, coming out this month on March 22nd and shortly after that, there'll be the book launch, tentatively scheduled for April 7.

I've been going all this time thinking I had a "Profile" on this blog, but really didn't. I guess it was one of those things I figured I'd get around to. When I started this blog, it was pretty much on the downlow until it got closer to my book coming out. I didn't advertise it or post it on Facebook or anywhere else, so I figured traffic would be slow. And it was, at first. But lately, it's picked up a lot, so I figured it's time I added some info, including  (you'll notice) a photo of the cover for Moonlight Sketches (a short story collection) and links for buying the books at Amazon and Chapters on-line. You can pre-order, if you'd like. In fact, I wouldn't mind because those sales go into the system as soon as the book is released, making the chances for a strong first week more likely--always important to get people's attention. More importantly for you, you'll get your book asap.

Oh, and I also added a link that goes directly to my Facebook page--you know, in case you dare to get a little closer and learn a little more.

Soon, I'll be changing the name of this blog again. If you have any suggestions for names, I'd love to hear them. I started with "Gothic Times" and then switched to "Moonlight Sketches," but I think the redundancy there is a bit redundant. So I'll be switching again soon and giving the banner a fresh new look, maybe something that will also download a bit quicker.

That's all for now. Oh, and thanks for all the feedback on the "Favorite Things" series. It's still ongoing. I've got some new ones coming up soon. In case I don't make it through March Madness, I've specified in my will that I want the new instalments in a timely fashion.

Ciao for now.

Gerard

Monday, February 21, 2011

Things I Like #4: Coffee With Friends

In the small rural town in which I grew up, there was no coffee shop, no cafe or bistro where friends gathered to talk among themselves. For that simple pleasure, there was the kitchen, mostly the gathering place of women to talk about recipes, husbands, the weather and, I'm sure, many other subjects--both sanctioned and taboo--to which I, as an innocent child, was not privy.

The men congregated in the shed. Some chewed baccy or smoked Rothmans cigarettes, blowing smoke rings into the air as if exhaling a ghost. They'd talk of the "queer" ones in the community--meaning anyone who was a bit different--or about fishing and hunting, about what a nag the wife was or whatever topic happened to present itself for the day. Likewise, the woods, the fishing stage, a chance meeting on the side of the road, or two cars parked side by side on the road itself and blocking traffic--the need for talk, the desire for connection, of sharing the news somehow found expression.

It was a rough life, with a rough-hewn communication. The worlds of men and women rarely intertwined. At house parties--either at Christmastime or in summer when the American relatives would come visit--the men would end up in the living room and the women in the kitchen, chattering and drinking whiskey and beer. The children might cling to the feet of a parent or find himself (as I often did) sitting in the stairwell, ears pricked for the good parts--the juicy jokes, the curious gossip, or the unexpected song (which mostly came in the form of an Irish folk song or a country song from the radio).

My friends and I would build treehouses or forts--even in winter, it was humongous snow fortresses that would have housed Napoleon's army from the cold--and it was there we would talk about whatever was on our minds. Superman. Batman. Wolverine. Girls we liked or didn't like. How many stars were in the sky. Whether there was life in outer space. How far it was to California, how much it might cost to get there and whether you would ever go? When I didn't feel like talking to people, I would slink into the front seat of my parents' car with a good library book (my parents' budget didn't justify buying books, even if we'd had a bookstore) and stay there for hours, reading. Daydreaming. Or I'd spend my time on the landwash, calling out snails from their shells while the North Atlantic rushed and crashed onto rocks all around.

When I moved away to the city in my late teens, I discovered that, while I enjoyed being alone sometimes, my favorite passion was conversation. I'm sure it exasperated many of my friends, but there was nothing I enjoyed more than to sit and talk--didn't matter about what. It could be about plans for the future, about the merits of having a TV or not having one, about how the world might look in twenty years (boy, were we wrong), about whether Communism was a legitimate style of government, whether the Russians might really bomb us, or whether we would ever find true happiness, married with children, unmarried without children, or single and gallivanting about the world, largely dependent on the kindness of strangers as we backpacked across Europe, sleeping in the barn with the farmer's daughter, carrying a guitar on our backs, and doing odd jobs to keep ourselves alive.

It was the kind of talk that occurred in our bachelor apartment, shared by as many as five of us at a time and sometimes as few as two. It would take place in coffee shops--back then, Tim Horton's was the venue of choice, as St. John's didn't have nearly as many cafes as it does now. I can remember sitting under the overpass on Kenmount Road late at night, talking to a friend of mine about the state of the world while another friend "needed the apartment" with her boyfriend for two or three hours. I sometimes wonder how life has treated that friend--because we had a connection. There was a truth, an honesty and an urgency to our talk. The friend who needed the apartment eventually married that boyfriend. But I doubt they just talked, not that night.

I remember sitting on a picnic bench with a friend who owned a guitar. We sang Simon and Garfunkel songs over and over, dreaming of being them one sunny day, and we even played music together in years to come, on stage and off. But it was the talking, the daydreaming in between that was the glue that ensured we would remain together as friends for years, even decades, to come.

These days, my tolerance for long conversations that last into the night has faded and gone. I'd always had an appetite for hours and hours of discussion--in grassy fields, open-windowed cars, sitting around bars, barbecues or kitchen tables--until everyone else was ready to get some shut-eye except me. Always the last man standing. Always wanting to call for pizza at 3 a.m. or go out for a Tim's run at 4:30 or race to Signal Hill to watch the sun come up over the blazing red ocean. Sleepy-headed and chilled to the bone sometimes, but it was as good as life gets, especially when you're young.

I've discovered in recent years that I still enjoy it. Sure, besides my writing, I make a living by talking. I discovered a couple of years ago when I'd had minor throat surgery that I still love talking and will always love it. I'll never take it for granted again.

Most of my friends are female. And most of them are talkers. I admit I'm less of a talker than a listener. I'll ask questions, like a reporter or David Letterman, anything to keep you from being silent. I think there's something I've always felt, a sadness or a fear, a sense of mortality--the realization, even when I was young and listening through the stair railings--that the discussion doesn't go on forever, and, as Leonard Cohen says, "It's hell to pay when the fiddler stops."

I don't like going to bed early. I don't like ending conversations until every last syllable and emotion is wrung from it like water from a dishcloth or red wine from a glass. I don't like when friends have to get on planes or when students have to leave for the end of semester. Final exams are a morbid thing. Feeding the meter is an abomination--a pause in a perfectly good spoken-aloud thought. The ringing of the cellphone. The vibration of an incoming text message. The dry white bottom of a finite cup of coffee. These have always been, to me, the near equivalent of the closing of a lid on a coffin.

There'll be time enough for silence between friends when the fiddler stops for good.

I'm thinking about all this now because I just came back from a long--though not nearly long enough--coffee and conversation with a very dear, old friend (sixteen years now). It was snowy and all the cozier for it, with a view of the harbour, the ships coming in and going out, surrounded by people having coffee and breakfast with their own friends, acquaintances, and possibly family.

Afterwards, stepping out into the cold, I felt (as I always do at such times) as if I've been awakened from a powerful and perfect dream--the kind where friends always have time for coffee and conversation, for sharing intimate secrets and opinions about politics, religion, TV and music. I'm even interested in what she has to say about my iPod Touch, simply because she is my friend and when we first met, email was still new and the idea of an iPod hadn't even entered the mass consciousness. Computers were an elite item that would never, ever infiltrate the home.

I treasure conversation threads on Facebook or email. I thrill at the sound of the bell that says, "You've got mail!" But nothing, but nothing replaces good old coffee talk, which is far more addictive than email or Facebook could ever be. I'm already missing that friend and already planning the next coffee with another friend whom I haven't seen in a while. And on it goes; around it whirls.

However, it's not the talking I crave. It's the sound of that voice on that day--the voice that some day will not be there anymore, but for now has the ability to hold me rapt.

http://www.youtube.com/watch?v=ETQfuzNGT58

Tuesday, January 25, 2011

Things I like #3: The Big Bang Theory

Penny is a hot blonde who moves into the apartment next door to Leonard and Sheldon, self-described (and actual) nerds who, along with their two friends, Raj and Howard, live a sheltered existence, working in a laboratory by day and, at night, indulging in comic books, Facebook, Star Trek marathons, anything related to Star Wars (Sheldon will only watch the movies sequentially because he prefers “to be disappointed in the order in which George Lucas intended.”), Green Lantern, Incredible Hulk, The Fantastic Four, and space travel. That’s only the beginning of the seemingly infinite list of quirks and predilections that come with being these characters.


It’s not just that they’re geeks. Sure, we laugh at them. But we also laugh with them. When Penny, the cheesecake factory waitress, gets a good one on Sheldon, we cheer. Not just because she’s hot (I guess I probably mentioned that detail already), but because Sheldon is a snob of the highest order and thinks he is vastly superior to Penny. In many ways, maybe he is superior to her…although none come to mind. We like the underdog, and Penny is it—in spite of how she looks and that she’s vastly likable. Huh.

Speaking of the underdog, Leonard is a short, bespectacled, rather awkward man-boy who pines to be with Penny and, guess what? (SPOILER ALERT) He gets his wish, becoming, to her, "my little humunculus." That’s another thing I love about this show—the world seemingly loves an underdog—someone who seems at a disadvantage in a certain arena—whether socially, intellectually, athletically, or whatever. I love an underdog and, when it comes to dating beautiful women, Leonard is the ultimate underdog, and yet he gets Penny.

See full size imageI could talk about Raj’s constant stereotyping of Indian culture even while he berates others for being “racist.” Or I could mention Howard’s penchant for irritating “the ladies”—as well as his friends—with his constant bravado regarding his sexual exploits, his Furleyesque outfits, his outrageously funny mother with whom he lives, or his various masturbatory fantasies—before he, too, inexplicably finds hismelf hooked up with a rather hot, bespectacled blonde named Bernadette.

But mostly it’s Sheldon who keeps me watching. I live for those episodes when his “Creationist” mother comes to visit, played by Laurie Metcalfe. But it’s Sheldon himself who makes it work. He considers himself to be the smartest person in any room, perhaps in any universe, alternate universes included. He cannot tell a lie, and he cannot keep a secret.

Sheldon: I promised Penny.


Leonard: Promised Penny what?


Sheldon: I wouldn't tell you the secret. (pause) Shhhhh!!!!


Leonard: What secret? Tell me the secret.


Sheldon: Mom smokes in the car. Jesus is okay with it, but we can't tell dad.


Leonard: Not that secret, the other secret.


Sheldon: I'M BATMAN!!!! SHHHH!!!

And when he gets sick, he needs someone—preferably his mother, but the reluctant Penny will do—to sing “Soft Kitty” to him. Penny eventually turns the tables and gets him to sing rounds.



I could go on and on with favorite episodes, favorite moments, but the upshot of it all is that this show makes me laugh. I know that some people consider it an intellectual sin akin to reading a romance novel or an Archie comic to own a TV, let alone watch it. And I know that if you admit to having a TV, you really should not plug it in or—God forbid—get cable. And if, by some stretch of genius, you do all of that and/ or have a satellite dish, then you absolutely must not—couldn’t possibly—be interested in a mere sitcom. You must watch Animal Planet, Discovery, Bravo! , CNN, Newsworld, or something slightly intellectual.

I choose to watch The Big Bang Theory because:

1. It makes me laugh. I need to laugh almost as much as I need water. Laughter has never attempted to drown me, unless I happened to take a gulp before I laugh unexpectedly. But I’ll take my chances.

The Odd Couple Poster2. Sheldon is a unique blend of C3P0, Spock, and Jack Klugman's character in The Odd Couple. He’s insufferable and lovable at the same time. And nobody on TV—or in movies, for that matter—can deliver such difficult lines with such perfect comic timing. And his facial expressions and slapstick abilities are pretty fine too.

3. Kaley Cuoco as Penny. Smart, funny, and sexy without trying (okay, sometimes she does try, but only for laughs because she knows the boys can’t handle it).

4. It’s smart comedy such as I haven’t seen since the days of Mad About You, Cheers, Barney Miller and M*A*S*H. Sure, I like the occasional episode of How I Met Your Mother and I caught the occasional Seinfeld. But…

How I Met Your Mother Poster

5. This show has heart. The characters are likable, even when they’re mean to each other. The meanness doesn’t actually go all that deep; you sense the love they have for each other, but they would never say it aloud. They say it with gifted comic books, an awkward hug, or allowing Sheldon his “special place” on the couch. Of course, as his own mother would say, “He is one of God’s special people.”

The Zazzy Substitution Poster

And, once again, I care not what my love of this show says about me. It’s part of who I am. Sure, I could live without it. But I’d rather not. Thursdays at 8:00 Eastern. Anytime if you own Seasons 1-3 as I do.

Oh, and one more before I go:

Sheldon: Why are you crying?


Penny: Because I'm stupid!


Sheldon: That's no reason to cry. One cries because one is sad. For example, I cry because others are stupid, and that makes me sad.

Me, too, Shelly, me too.

Friday, January 21, 2011

Cover Story

Here's a look at the final version of the cover for my upcoming short story collection, Moonlight Sketches. The beautiful artwork comes from the mind and the pen of St. John's artist Darren Whalen, who was an absolute dream to work with. These stories are connected in that they all take place in the same small town, called Darwin, and I wanted a cover that captured the darker side of smalltown Newfoundland. The collection has a dark sense of humour, of course, and I thought the cover should insinuate a blend of dark and light, while making the association with the title at the same time. Darren's idea was that the moon should be present but not too prominent, and I agreed. It was his vision that, not only should the moon cast a glow upon the streets of this midnight town, but that it should spread light upon the entire page--which keeps the cover from being too dark. After all, you need to be able to see the title and the name of the author, as well as various highlighted areas of Darwin. The task was a difficult one, or so I thought, but Darren pulled it off brilliantly. (For the full wraparound cover, you can scroll further down.) Oh, and the solitary figure ambling down the road in the dead of night? The pièce de résistance.
 
Below is the full cover, including flaps,designed by Darren Whalen. Here, you get the full view of Darwin in all its rich, dark glory. There are landmarks in the sketch that mean a lot to me, as someone who has been writing about Darwin for a lot of years. I look at it and I see the places where certain characters' stories occur. I see Winnie and Francis' house overlooking the bay, the school that Benny and Dave break into and find themselves in a heap of trouble, the streets where a soldier's funeral parade brings an entire town to a standstill, and the community's only bar (Jack's Place) where several characters go for solace and a drink, but often find more. And, of course, there's that ubiquitous moon of many faces, peering down on them all like a benevolent, curious, and yet distant god. The characters often act as if no one is watching, and yet, for as alone as they are in this little cove, off the known path, there is always the sense that their stories are taking place on a larger stage, beneath the same moon as you and me, wherever we are. Somehow, Darren Whalen's artwork captures all of these textures and nuances, and so much more. The cover truly is a work of art.
(Click on the cover for a larger view.)

Thursday, January 20, 2011

Things I Like #2: The World According to Garp

The World According To Garp (1978), by John Irving, is not the favorite novel of anyone I know. But it is mine. (Disclaimer: I can’t actually limit myself to one “favorite novel” any more than I can limit myself to one favorite food. But, for the sake of choosing something I actually like about which I can talk, I choose this one.) Unlike most people, I read the book long before I saw the movie starring Robin Williams and Glenn Close.

It was a book about writers. T.S. Garp was an aspiring novelist and his mother, Jenny Fields, was a nurse who didn’t aspire to be one but became one anyway. In fact, her accidental career as a scribe far outpaced and outweighed that of her son, providing much of the humour and pathos in the novel.

There was the cast of characters—including a former football pro who becomes a transgendered houseguest and endearing friend, a professorial wife with a biting wit and a younger lover, a babysitting lover of Garp’s who bites off more than she should chew, a deranged girl from Garp’s childhood who haunts him all his life. There are tons of reasons I love this novel, despite the fact that most times I find John Irving’s ideas about literature insufferable. But he does write good stories. Sometimes they’re way over the top and ridiculously absurd, but they’re always funny and his characters are mostly endearing, despite their flaws.

I love that Garp goes running, as well as being a writer. I love that he chases down a speeding driver who endangers his children. I love that the characters are able to forgive each other almost anything, but even when they don’t forgive—or forgive easily—their reasons are completely understandable. I love the “Undertoad” and the tragedy it brings. I love the scene where he loses a chunk of his dignity in the driveway.

But most of all, I like the inimitable way that Irving’s story—like many of his novels—makes me smile, from beginning to end. Many of my favorite novels (more on those another time, I’m sure) are intellectual experiences, books that make me think, that cause me to see the world in a different way, that mess with ideas of linearity in time and narration. Irving’s novel does much of that, too, but mostly it just makes me smile because, you know, life is just so damn funny, even when it’s tragic, according to Garp.

The full trailer of the movie, The World According To Garp: